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Watch Cirkus Columbia Movie Free Online
The Balkans stays probably the most exotic region of Europe—Americans have a hard time comprehending the chaos of recent Greece, let alone the byzantine politics and historic enmities of the previous Yugoslavia—so the rare film that reaches the United States from Romania, Bulgaria or Albania, not to mention Bosnia and Herzegovina, is a welcome window into an unfamiliar world. With Cirkus Columbia, Oscar-winning filmmaker Danis Tanovic (No Man's Land, L'Enfer, Triage) returns to his native nation on the cusp of the battle that turned neighbor against neighbor and culminated in genocide. Despite the mise-en-scène, the film is extra comedy than drama, complete with an ending that, if not happy, is actually hopeful.
Divko (Miki Manojlovic), an expatriate businessman who has made a small fortune in Germany, has determined to return to Bosnia and Herzegovina after the autumn of the communist regime in 1991. Arriving in his native village in his candy-apple purple Mercedes, accompanied by his too-young girlfriend (Jelena Stupljanin) and his pampered black cat, Divko sets about reclaiming his home from his former lover, Lucija (Mira Furlan), whom he hasn't seen for close to 20 years, and his estranged son, Martin (Boris Ler). It helps that he has a pocketful of deutschemarks and outdated buddies in excessive places to facilitate their eviction, however his highhanded conduct compromises his karma. The townspeople mock him behind his back, his lucky cat goes lacking, and the ever-growing ethnic tensions suggest that he has made a grave mistake believing he could go dwelling once more.
Cirkus Columbia unfolds over the course of some days in this isolated village in the Balkan mountains, but the movie is extra fable than slice-of-life, a morality tale about people troubled by a struggle fever that adjustments them as absolutely as if they've caught the plague. Local politicians, careerist troopers and shopkeepers are solely expedient, greatest pals grow to be bitter enemies, and nearly all of the characters change abruptly—and not always convincingly. Divko, for instance, begins the film as a bully and a misogynist however ends as an altruistic sentimentalist. Azra, his girlfriend, appears to be the worst form of spoiled brat, only to reveal herself as a weak and frustrated romantic. Martin is introduced as a gawky, self-involved teenager, but proves more brazen than his overbearing father. Only Lucija stays true to herself, though she too undergoes an eleventh-hour change of coronary heart.
Its pat structure may put off some viewers, however Cirkus Columbia offers its personal rewards. Half of the film's title refers back to the carousel swing that gives one of the town's few amusements and represents Europe's (and the movie's) outdated-world allure; the opposite half references the personification of liberty and new-world freedoms. And so goes the film: Tanovic gently recreates a forgotten way of life despoiled by a modern orgy of hatred and violence—not that the Balkans have not seen comparable bloodshed throughout previous centuries.
Cirkus Columbia is most pleasurable when Tanovic lets his excellent solid work out the story's droll melodrama. At one level, Divko is presented with a sheep's head by the proprietor of the local café, a delicacy offered in obeisance to the prodigal son; Divko obligingly savors an eye from the baked cranium…a delicacy that sums up the foreignness of the Balkans and its weird attraction. Tanovic equally captures the rhythms of rural summer time life—dips within the cold river through the hot days, bocce ball underneath colored lights within the city sq. at night—at the same time as he satirizes the macho posturing that mocks the true horror of warfare. Cirkus Columbia already has made its means world wide competition by competition (Sydney to Venice to Toronto) and screened at a stunning number of others in the United States earlier than its official opening in New York and Los Angeles. It won't get pleasure from a wide release or a lot publicity, but followers of international cinema ought to watch for it.
It's 1991 and Bosnia-Herzegovina is on the point of battle when curmudgeonly Divko (Miki Manojlovi?) returns house from a 20-12 months exile in Germany to reclaim his residence, his estranged 20-12 months-previous son Martin (Boris Ler), and his nation earlier than it crumbles away. He comes armed with a younger fiancée, a lucky black cat that he treats as if it had been a child, and lots of cash—which is sufficient to throw household and city into disarray in ways that mirror the disintegration of Yugoslavia itself. In a second of disaster, when some smart previous men are pondering, "Nothing good will come of this," Divko's money-as-panacea angle appears to confirm their worries. He kicks his ex-wife from her dwelling, buys the hair salon the place she works, and makes your complete town look for his pussycat when it goes lacking, everyone hungry for the reward.
While there are echoes of the gloomy alienation of Béla Tarr's Damnation (most evident in Martin's craving to escape to America along with his makeshift radio antenna), Cirkus Columbia principally leans on idiosyncratic and dry political humor paying homage to Elia Suleiman's Palestine-Israel inside jokes in The Time That Remains, and that can sometimes really feel inaccessible to the uninitiated to all things Bosnian. The film can really feel deceivingly soap-opera-ish at times, but its lightheartedness and overtly traditional narrative construction turn into a smart technique for crafting what is finally a really nuanced political critique of capital. Watch Cirkus Columbia Movie Online
Any critique of financial systems will, after all, unsettle systems of kinship as nicely. We see this in the completely Oedipal relationship between Martin and his doting mother (she makes him pancakes when he complains about dinner, then asks him for a kiss on the cheek) and when he loses his virginity to his new stepmom, barely respecting the incest taboo, and proving his father's motto, that "blood is not water," in some ironic ways. Director Danis Tanovic has also crafted one of the sweetest last scenes in cinema, which includes an impromptu carousel ride and previous lovers who reunite (with each other, with their missing cat, and with their collapsing nation), with a city in flames within the distance.
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